L’icona invisibile. Big Brother da icona finzionale a icona culturale

In George Orwell’s 1984, Big Brother is the inscrutable leader of Oceania. Thanks to his media pervasiveness, his image assumes, an iconic value, expression par excellence of control and power. However, he is an icon without reference: no one has ever really seen the Big Brother. He is a strongly iconic entity and at the same time he is not visible, perhaps not even existing: a mere representation of the apparatus of power. He is a fictional icon circulating first of all in the narrative universe of 1984. He emerges from the pages of the novel and becomes an icon (or meta-icon) also within contemporary culture: in the game of his translations across the media, through the reuses and reconfigurations to which he was subjected in the arts, in popular culture, even in advertising, the Orwellian character (or non-character) becomes the emblem of the vision: image of control and mass surveillance, but also - weakly - of spectator’s voyeurism (the TV program).