This is a study that begins with The Last Scream. A Morality Play, written in the Nineties by Ingmar Bergman himself, which seeks to identify and establish the ways in which his cinematography relates to that of the national Swedish tradition. Bergman's reappraisal of the figure of Georg af Klercker in the theatrical script is viewed as the proclamation of a bond that up till now had been cast in a completely different light, namely in terms of Bergman's known connection to Sjöström.

Martini, A. (2006). A Tardy Repentance: Ingmar Bergman and Georg af Klercher. NORTH WEST PASSAGE, 3, 33-44.

A Tardy Repentance: Ingmar Bergman and Georg af Klercher

MARTINI, ANDREA
2006-01-01

Abstract

This is a study that begins with The Last Scream. A Morality Play, written in the Nineties by Ingmar Bergman himself, which seeks to identify and establish the ways in which his cinematography relates to that of the national Swedish tradition. Bergman's reappraisal of the figure of Georg af Klercker in the theatrical script is viewed as the proclamation of a bond that up till now had been cast in a completely different light, namely in terms of Bergman's known connection to Sjöström.
2006
Martini, A. (2006). A Tardy Repentance: Ingmar Bergman and Georg af Klercher. NORTH WEST PASSAGE, 3, 33-44.
File in questo prodotto:
File Dimensione Formato  
A Tardy Repentance Ingmar Bergman and Georg af Klercker.pdf

non disponibili

Tipologia: Post-print
Licenza: NON PUBBLICO - Accesso privato/ristretto
Dimensione 1.04 MB
Formato Adobe PDF
1.04 MB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11365/25567
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo