Mirco Modolo’s contribution traces a historical genealogy of restrictions on the reproduction of cultural heritage, from Bourbon-era bans on copying antiquities in Herculaneum and Pompeii to recent Italian legislation. Through emblematic cases drawn from diaries and archival sources, the article reveals how the state has consistently asserted exclusive control over public heritage, fostering a regulatory regime often marked by irrationality and limited enforceability.
Modolo, M. (2025). Riprodurre il patrimonio culturale. Quando l’abuso diventa (la) regola. LA RIVISTA DI ENGRAMMA(222).
Riprodurre il patrimonio culturale. Quando l’abuso diventa (la) regola
Modolo, Mirco
2025-01-01
Abstract
Mirco Modolo’s contribution traces a historical genealogy of restrictions on the reproduction of cultural heritage, from Bourbon-era bans on copying antiquities in Herculaneum and Pompeii to recent Italian legislation. Through emblematic cases drawn from diaries and archival sources, the article reveals how the state has consistently asserted exclusive control over public heritage, fostering a regulatory regime often marked by irrationality and limited enforceability.
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https://hdl.handle.net/11365/1290435