This article focuses on the China pavilion of the 57th Venice Biennale as a case study. The theme of the pavilion, Continuum – Generation by Generation, revolved around the long history of Chinese tradition and offered a visual re-elaboration of it by means of contemporary art and folk art. The works exhibited drew on Chinese mythology, masterpieces of Chinese art history, philosophical concepts and handcraft traditions, hence presenting a variegated image of (contem-porary) Chinese art. This exhibition offers opportunities for a critical reading of the relationship between contemporary art and tradition implied by the theme Continuum, and I will explore the narrative and curatorial discourse it presented to the audience.
De Nigris, O. (2019). Continuum Generation by Generation: the representation of Chinese traditions at the China pavilion of the 57th Venice Biennale. JOURNAL OF CONTEMPORARY CHINESE ART, 6(2-3), 343-366 [10.1386/jcca_00011_1].
Continuum Generation by Generation: the representation of Chinese traditions at the China pavilion of the 57th Venice Biennale
De Nigris, Ornella
2019-01-01
Abstract
This article focuses on the China pavilion of the 57th Venice Biennale as a case study. The theme of the pavilion, Continuum – Generation by Generation, revolved around the long history of Chinese tradition and offered a visual re-elaboration of it by means of contemporary art and folk art. The works exhibited drew on Chinese mythology, masterpieces of Chinese art history, philosophical concepts and handcraft traditions, hence presenting a variegated image of (contem-porary) Chinese art. This exhibition offers opportunities for a critical reading of the relationship between contemporary art and tradition implied by the theme Continuum, and I will explore the narrative and curatorial discourse it presented to the audience.File | Dimensione | Formato | |
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https://hdl.handle.net/11365/1255054