Quia animae videnti creatorem angusta est omnis creatura: due tavolette di Francesco D’Antonio con scene della Vita di san Giovanni Gualberto

The dense bibliography on these panels, so-called Retable Rinieri, has highlighted a series of problems regarding their origin, style, and iconography. Symptomatically, given the absence of studies on their iconography, the meaning of the scenes has found a definitive explanation in this study, making it necessary to discuss the possible relocation of these predella fragments. Considering that the aim of this study was the clarification of the iconographic meaning of the panels, this aspect, as we will see, could also shed light on the relocation, the origin of the same and even their dating. © 2022, SISMEL Edizioni del Galluzzo. All rights reserved.