In Seneca’s tragedies the tyrant does not figure with the same pre-eminence that he would go on to acquire in Renaissance tragedy. The aim of this paper is to outline the cultural framework within which the tyrant as a «mask of the villain» (D. Lanza) is viewed in both the theatre of Seneca and its later reinterpretations.
Guastella, G. (2019). Ira, superbia, fortuna: evoluzione del tiranno senecano. DIONYSUS EX MACHINA, 10, 424-455.
Ira, superbia, fortuna: evoluzione del tiranno senecano
G. Guastella
2019-01-01
Abstract
In Seneca’s tragedies the tyrant does not figure with the same pre-eminence that he would go on to acquire in Renaissance tragedy. The aim of this paper is to outline the cultural framework within which the tyrant as a «mask of the villain» (D. Lanza) is viewed in both the theatre of Seneca and its later reinterpretations.
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https://hdl.handle.net/11365/1088252