Focusing on Hofmannsthal’s Paris sojourn of February–April 1900, when he wrote Vorspiel zur Antigone des Sophokles, this essay will attempt to investigate the psychological and theatrical motivations that influenced the poet’s relationship with the character of Antigone. It also intends to explain how and why this figure, emblematic of sisterly heroism and emancipation, would soon be overshadowed by the daughterly and oppressive rigor of Electra. © 2016. All Rights Reserved.
Landolfi, A. (2016). Antigona soror. Hofmannsthal, la classicità e il femminile eroico. ACME, 69(2), 23-31 [10.13130/2282-0035/7943].
Antigona soror. Hofmannsthal, la classicità e il femminile eroico
Landolfi, Andrea
2016-01-01
Abstract
Focusing on Hofmannsthal’s Paris sojourn of February–April 1900, when he wrote Vorspiel zur Antigone des Sophokles, this essay will attempt to investigate the psychological and theatrical motivations that influenced the poet’s relationship with the character of Antigone. It also intends to explain how and why this figure, emblematic of sisterly heroism and emancipation, would soon be overshadowed by the daughterly and oppressive rigor of Electra. © 2016. All Rights Reserved.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
Utilizza questo identificativo per citare o creare un link a questo documento:
https://hdl.handle.net/11365/1003560