In his description of Corinth, Pausanias dwells on an expiatory Deima, the statue of a woman with frightening features, erected on the funerary monument of Medea's children. Rather than an isolated “personification of Terror”, it seems preferable to think of the use of deima in the sense of “spirit, spectre”, which has numerous folkloric parallels. The statue is said to have been that of a “ghostly woman”, perhaps an allusion to one of the demonic infanticidal figures present in Greek imagination.

Braccini, T. (2026). Paura e ‘paure’: Pausania, Medea e una statua a Corinto. In E. Arecco, M. Biamino, A. Brihi, G. Conserva, A. Fecit, E. Lacanna (a cura di), Le forme della paura (pp. 202-222). Wrocław : Società Dante Alighieri Editore.

Paura e ‘paure’: Pausania, Medea e una statua a Corinto

Tommaso Braccini
2026-01-01

Abstract

In his description of Corinth, Pausanias dwells on an expiatory Deima, the statue of a woman with frightening features, erected on the funerary monument of Medea's children. Rather than an isolated “personification of Terror”, it seems preferable to think of the use of deima in the sense of “spirit, spectre”, which has numerous folkloric parallels. The statue is said to have been that of a “ghostly woman”, perhaps an allusion to one of the demonic infanticidal figures present in Greek imagination.
2026
978-83-966427-8-3
Braccini, T. (2026). Paura e ‘paure’: Pausania, Medea e una statua a Corinto. In E. Arecco, M. Biamino, A. Brihi, G. Conserva, A. Fecit, E. Lacanna (a cura di), Le forme della paura (pp. 202-222). Wrocław : Società Dante Alighieri Editore.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11365/1308836